Miliko Djurov, a celebrated Serbian filmmaker and son of the iconic Bata, known for his role as Walter in “Walter Defends Sarajevo” and “The Bridge,” reminisced about his father’s unforgettable first trip to China 50 years ago. “My father got his first invitation to showcase his films in China when I was just 13. I still vividly remember the excitement that swept through our family leading up to that journey,” he recalled during an event in Shanghai on October 8.
This gathering was held to inaugurate the exhibition titled “Friends are the Fruits of Time – A Showcase of Serbian (Yugoslav) Film” at the Shanghai Media Center, a collaborative effort between Shanghai University, the Shanghai University School of Film, and the Shanghai Film Special Effects Engineering Research Center. Miliko was joined at the event by well-known Serbian journalist Jelka Musić-Djurov.
Serbian (Yugoslav) cinema is recognized for its distinctive narratives and deep social insights, often delving into varied cultural landscapes. A notable genre within this cinema is the partisan film, which emphasizes simplicity and realism, loyalty, and bravery, paired with grand, heroic storytelling. Films such as “The Bridge” and “Walter Defends Sarajevo” exemplify the rich contributions of Yugoslav cinema on the global stage.
Reflecting on personal experiences, Miliko shared that he visited China with his father in 2000 and 2005. “Every time my parents came back from China, they spoke about ‘this beautiful country’ and the ‘wonderful people’ they encountered. They truly appreciated the kindness they experienced, and my father was always enthusiastic about hosting his Chinese friends,” he noted.
This latest trip marks Miliko’s inaugural solo visit to China, which he views as deeply significant. “China has become an essential part of our lives. I believe I will return many times, just like my three children and my grandson, who was born last month. Our family’s love for China is everlasting,” he expressed.
Miliko emphasized the enduring influence of “Walter,” which pioneered a new genre of action war films that continue to engage younger audiences today. He is currently developing a biographical film about his father, incorporating key elements that highlight his father’s long-standing friendships with Chinese associates. Miliko conveyed his enthusiasm for collaborating with Shanghai University’s film school to foster cinema exchange between Serbia and China.
Huo Xiaoqing, the exhibition curator and dean of the Shanghai University School of Film and the Shanghai Film Special Effects Engineering Research Center, described the exhibition as a vibrant fusion of cherished Serbian (Yugoslav) imagery with various art forms, including multimedia, installations, film, fine arts, virtual reality, and artificial intelligence. This immersive experience is designed to forge a cinematic bridge, linking the historical and contemporary connections between China and Serbia.
Cheng Danhong, Secretary of the Party Committee at Shanghai University, highlighted the notable talents and unique appeal of Serbian (Yugoslav) filmmakers on the international scene since 1896. He expressed hope for closer collaboration in joint film productions between Shanghai University and Serbia, aiming to enhance cultural exchanges and strengthen friendships between the two nations through this exhibition.
